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Ryouta Sakamoto is unemployed and lives with his mother, his only real achievement being that he is Japan's top player of the popular online video game, "Btooom!" However, his peaceful life is about to change when he finds himself stranded on an island in the middle of nowhere, with a small, green crystal embedded in his left hand and no memory of how he got there. To his shock, someone has decided to recreate the game he is so fond of in real life, with the stakes being life or death. Armed with a bag full of unique bombs known as "BIM," the players are tasked with killing seven of their fellow participants to obtain their green crystals, used as proof of their victory, in order to return home. Initially condemning any form of violence, Ryouta is forced to fight when he realizes that many of the other players are not as welcoming as they may seem. Teaming up with Himiko, a fellow Btooom! player who turns out to be his in-game wife, they attempt to get off of the island together, slowly coming closer and closer to the truth behind this contest of death. [Written by MAL Rewrite]

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Galko, Otako and Ojou are a trio of unlikely friends in high school with three very different perspectives. Each episode embarks on a day in the life of a trendy girl, an otaku, and a lady, as they discuss their “girl problems.”

Ryouta Sakamoto is unemployed and lives with his mother, his only real achievement being that he is Japan's top player of the popular online video game, "Btooom!" However, his peaceful life is about to change when he finds himself stranded on an island in the middle of nowhere, with a small, green crystal embedded in his left hand and no memory of how he got there. To his shock, someone has decided to recreate the game he is so fond of in real life, with the stakes being life or death. Armed with a bag full of unique bombs known as "BIM," the players are tasked with killing seven of their fellow participants to obtain their green crystals, used as proof of their victory, in order to return home. Initially condemning any form of violence, Ryouta is forced to fight when he realizes that many of the other players are not as welcoming as they may seem. Teaming up with Himiko, a fellow Btooom! player who turns out to be his in-game wife, they attempt to get off of the island together, slowly coming closer and closer to the truth behind this contest of death. [Written by MAL Rewrite]

A kid promises her father to follow road safety. Follow her through the possible do's and don'ts children may encounter.

Based on the manga by Tanioka Yasuji. Japanese society, in the opinion of Pusu-o, "satisfies all the urges of hunger, but not the urges of the loins." Then again, Pusu-o is scrawny, awkward and hardly the handsomest guy in town. More to the point, in matters of a romantic nature, Pusu-o conducts himself with an absolute lack of grace, restraint and general respect for women. Not surprisingly, his sex life is an endless succession of obnoxiously over-the-top come-ons and maniacal attempts to get some action, all of which culminate in total strike-outs. Pusu-o's own father is soon on hand to add insult to injury (the injury being the constant, gushing nosebleeds Pusu-o endures — the nasal blood geyser being Japanese cartoon shorthand for sexual frustration), and the cock blockage continues at Pusu-o's new job as a car salesman — until a trio of older women misinterpret his advances, intended only to make the pretty Yukiko jealous. The antics continue at a later date, when the married Pusu-o is cuckolded by an horny little birdie. When the humiliated surrogate dad witnesses the sexual prowess of the tryst's offspring, matters culminate in a finale worthy of the most bombastic Japanese tragedy. (Source: AniDB)

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An armed woman confronts a mysterious creature.

"Agitated Screams of Maggots" was directed by Keita Kurosaka and released in 2006 with the single, "Agitated Screams of Maggots", made by Japanese rock band, DIR EN GREY. ASOM has a traditional drawing design with erotic and grotesque aspects. The video had also received some attention from it's art style and was shown at the International Film Festival Rotterdam in 2007.